There’s whimsy associated with Colson Whitehead’s writing style—a willingness to play. Nonetheless, the darker reality of race in the United States has always been an important aspect of the stories he tells (whether about zombies or elevator inspectors). Even in his prize-winning novel, The Underground Railroad (2016), the brutality of Whitehead's devasting portrait of slavery in America is mitigated by…
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Colson Whitehead’s ‘Zone One’: Rebranding Survival in the Zombie Apocalypse
One year after the end of the world, the remains of humanity are banding back together and the era of reconstruction is about to begin. Rebranded as the American Phoenix (pheenies, for short), earth’s remaining survivors of the plague that brought on the zombie apocalypse are taking advantage of the lull in attacks and stitching together what’s left of society.…
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Jesmyn Ward’s ‘Sing, Unburied, Sing’: Riding in Cars with Ghosts
Jesmyn Ward is a poet who writes novels. The lyricism of her prose starkly contrasts the gritty realism of her plots, but that is part of the joy of reading her. Her novels hold a gilded mirror to life’s imperfections. Her characters live in a world where murder can be termed as a “hunting accident” so long as the victim…
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Colson Whitehead’s ‘The Underground Railroad’: Reimagining the American Slave Narrative
Last November, I attended a reading of The Underground Railroad at Ludwig Maximillian University. Throughout this event, I was struck not only by Colson Whitehead’s personal eloquence, intelligence, and charm but also by his dedication to authenticity. During the interview portion, for instance, he described himself as feeling unprepared to do justice to a subject matter as substantial and serious…
